玉器传统题材是中国文化的重要元素,是中国文化的宝贵财富,也是大家喜闻乐见,并乐于接受的内容。从历史上看,传统题材也在不断变化,从史前一直到夏商周、战汉、唐宋元明清,龙凤题材都有很多变化,反映出各个时代的精神风貌。因此,当代在表现传统题材时,不是一味仿古,而是要出新。如何出新是一个课题,变得好、变得对就能大幅提升玉器的价值。这就是大家常说的传承与创新的问题。建国以来也不乏可圈可点的传统创新题材,有的符合时宜,比如潘秉衡的《待月西厢下》,顺应了上世纪50年代婚姻自由变革的趋势;有的纪念重大事件, The traditional theme of jade is an important element of Chinese culture, is a valuable asset of Chinese culture, is also loved by everyone, and willing to accept the content. Historically, the traditional themes are also constantly changing. From the prehistoric period to the Xia, Shang and Zhou dynasties, the Warring States period, the Tang, the Song, the Yuan, the Ming, the Qing Dynasties and the Dragon and Phoenix themes all have many changes, reflecting the spiritual outlook of each era. Therefore, contemporary performance of traditional themes, not blindly antique, but to be new. How to be a new issue is a problem, become better, it will be able to significantly enhance the value of jade. This is what we often say about inheritance and innovation. Since the founding of the People’s Republic of China, there has also been no shortage of remarkable traditional innovations. Some are in line with the times, such as Pan Bingheng’s “Waiting on the West Side of the Moon,” which is in line with the trend toward freedom of marriage in the 1950s. Some commemorating major events,