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张之亮,在香港和徐克齐名的导演,有“文张武徐”的影坛地位。在上世纪90年代,创作了一批关注香港社会现实的佳作,并将自己找来的资金与华语电影人共享,大陆导演黄建新就曾受其资助,拍摄︽背靠背脸对脸︾。新世纪以来,成为最早北上的香港导演,即便是商业电影,张之亮都会打上自己的标签,坚守自我价值观,《墨攻》、《车票》、《肩上蝶》和即将公映的《白发魔女传之明月天国》,在商业电影大潮中,用一种执着的坚持,走出自己的路。
Zhang Zhiliang, famous director in Hong Kong and Tsui Hark, “Wen Zhang Wu Xu ” movie status. In the 1990s, I created a series of masterpieces that focus on the social reality of Hong Kong and shared the money I got with Chinese filmmakers. Mainland director Huang Jianxin was once subsidized for filming her face and back. Since the beginning of the new century, Hong Kong became the earliest director in Hong Kong. Even a commercial movie, Zhang Zhiliang has his own label, sticking to his own values, “ink attack”, “ticket”, “butterfly on shoulder” and the forthcoming “ The moon of heaven ”in the commercial movie tide, with a persistent adhere to, go out of their own way.