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花山谜窟石窟文化定位及内涵和特征、花山谜窟石窟文化品位及价值以及花山谜窟石窟文化发掘,有利于揭示徽州土著人山越文化起源,研究山越文化与中原文化融合形成新安文化的过程,区分新安水系整体文化特征和石窟文化异同,探索徽州古代精深工艺和技术发展史等。传统的石窟文化主要是指石窟佛文化,是指随着佛教文化传入中国而产生的融建筑、雕塑、绘画于一体的艺术文化。在众多的石窟艺术文化中,最具代表性的要数敦煌莫高窟、云冈石窟、龙门石窟和麦积山石窟。随着古印度的佛教从丝绸之路传入起始,以讲读佛经的方式传播以后逐渐传入印度的凿窟造像技术,以艺术文化的形式,由西向东弘扬。石窟艺术文化同佛教的文化思想传播情况一样,融进了诸种民族文化的影响,约形成于公元前100年至
Huashan mystery cave grottoes cultural orientation and content, Huashan mystery cave grottoes cultural taste and value and Huashan mystery cave grottoes excavation, is conducive to reveal the origin of Huizhou indigenous culture, mountain culture and the Central Plains culture to form the process of the formation of Xin’an culture, Differentiate the overall cultural characteristics of Xin’an water system and the similarities and differences of grottoes culture, and explore the history of the ancient Huizhou craft and technology development. The traditional culture of grottoes mainly refers to the culture of grottoes and buddha, which refers to the art and culture that integrates architecture, sculpture and painting with the introduction of Buddhist culture into China. Among the many art and culture of grottoes, the most representative are the Dunhuang Mogao Grottoes, Yungang Grottoes, Longmen Grottoes and Maijishan Grottoes. As the Buddhism of ancient India came in from the Silk Road and began to spread through the Buddhist scriptures, it was gradually introduced into India through the technique of crevasse imagery. It was promoted from west to east in the form of artistic culture. Like the spread of Buddhist cultural ideas, the art and culture of grottoes are integrated into the influence of various ethnic cultures and formed around 100 BC