中国戏剧史在我国还是一门基础比较薄弱的年轻学科。任何一种戏剧形式的行进轨迹,都是由“生”到“死”的过程记录。这里的“死”不是物质上的“简单消亡”,而是向着戏剧文化的“深层回归”。戏曲是我国戏剧家族里最富典型意义的成员,同时又面临着让人惶惑的不景气局面——在这样的大背景下,我们追寻、回顾近百年中国戏剧史研究的行进轨迹,应该说意义是巨大的,有助于我们从中总结经验教训,有助于我们按照艺术规律办事,繁荣 The history of Chinese drama is still a weak young subject in our country. The trajectory of any kind of dramatic form is recorded from the process of being “born” to “dead”. The “death” here is not a material “simple demise”, but a “deep return” to the drama culture. The drama is the most typical member of the drama family in our country, meanwhile, it faces the appalling downturn - on such a background, we pursue and review the history of the study of the history of Chinese drama in the past century. We should say the meaning Is huge, helps us to draw lessons from it, helps us to act in accordance with the laws of art, and prosper