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原生态艺术一旦走出山野、步入舞台,就已经脱离了其生存的人文与地理环境,进入被消解被建构的大众化过程。究竟是固守原生态艺术的日常生活形态与本真样貌,还是在全球化与现代化的进程中与时俱进,在保持其传统的本真性的基础上,走融合发展的道路,这是原生态艺术在新时期的困惑之思与争论焦点。原生态艺术在生存中产生,在生活中体现,也可以在生态中发展。守望精神家园,爱护生态环境,传承民族文化,是原生态艺术所肩负的历史使命。融合发展是原生态艺术的生存之本,在保留其精神品格的基础上超越大众文化之局限,建立多元的文化艺术格局,是原生态艺术生生不息的源动力。
Once the original eco-art goes out of the mountains and enters the arena, it has already departed from its living humanities and geography environment and entered the massification process of being constructed. Whether we are adhering to the daily life style and the true appearance of the original ecological arts or advancing with the times in the process of globalization and modernization while adhering to the traditional authenticity and taking the path of integration and development, Perplexity and Dispute Focus of Ecological Art in the New Period. The original ecological art produced in life, reflected in life, can also be developed in the ecology. Watch the spiritual homeland, care for the ecological environment, heritage of national culture, is the original mission of the historic mission of the arts. Integration and development is the basis for the survival of the original ecological art. It is beyond the limitations of popular culture to preserve its spiritual character and to establish a pluralistic pattern of culture and the arts.