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米芾(1051-1107),号“襄阳漫士”、“海岳外史”等,是我国北宋年间著名的书法家、画家,与苏轼、黄庭坚、蔡襄齐名,有宋代书法四大家之称。米芾在书法方面颇有造诣,擅长篆、隶、楷、行、草等书体,他最大的特点就是倡导书法应率意而为,不应刻意追求人工之雕饰,要有真趣,书风朴素自然。本论文将从米芾尚趣美学思想的内涵、形成的原因、表现及对后世的影响四个方面来谈米芾书法蕴含的尚趣美学思想以及美学思想在书画领域的影响。
Mi Yang (1051-1107), No. “Xiangyang Man”, “Sea History” and so on, is the famous calligrapher and painter of Northern Song Dynasty, and Sushi, Huang Tingjian, Cai Xiang, there are four calligraphy in the Song Dynasty Everyone’s name. Mi 芾 quite accomplished in calligraphy, good seal, Li, Kai, line, grass and other books, his greatest characteristic is advocated calligraphy should be freehand, should not be deliberately pursue artificial carving, have a real interest, the book Wind natural simplicity. This dissertation will discuss the influence of the amusing aesthetics thought contained in the calligraphy of Meilu and the aesthetic thought in the field of calligraphy and painting from four aspects: the connotation of the amulet of the amulet of interest, the reason for its formation and its influence on the later generations.