平淡的抒情也还是抒情。尽管这个情不那么有亮度。但作者既自觉情淡,则作品之情淡也无可厚非。记得过去韩文公为高闲草书写序,以韩愈大学问家,对一位和尚竟如此揶揄,至今想来犹觉忍俊不禁。好像他当时的论点是,书法需要至情,空门中人无喜怒、无情欲、无生死, Plain lyric is still lyrical. Although this situation is not so bright. However, the author is both consciously light, the passion of the works is understandable. I remember in the past Korean public for high leisure grass order, with Han Yu University asked home, so a monk was so shy, so still want to feel jealous. It seems that his contention at the time was that calligraphy needed exaltation and people in the open did not feel angry, ruthless, lifeless,