和小津安二郎一样,沟口健二也是拍无声电影起家的。在1928年,他拍摄了《东京行进曲》。这部片子被评论界普遍认为达到了好莱坞的水平。进入有声电影时代,沟口健二开始探索他自己的风格。标志他风格形成的片子是1937年的《浪华悲歌》,而他公认的杰作则是《元禄忠臣藏》《雨月物语》《西鹤一代女》《阿游小姐》《杨贵妃》《山椒大夫》以及《残菊物语》 And Ozu Yasujiro, like Mizoguchi Kenji also started a silent movie. In 1928, he filmed The Tokyo March. The film was generally considered by critics to reach the Hollywood level. Into the sound movie era, Mizoguchi Kenji began to explore his own style. His film is a symbol of his style of formation in 1937, “Lang Huaicaigeng”, and his recognized masterpiece is “Yuan Lu Zhongchen possession” “Moonlight Story” “West crane generation” “Lady Ah You” “Yang Guifei” “pepper Doctor ”and“ Biblical ”