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本文将后现代主义视角引入手风琴音乐领域,通过对一些典型手风琴音乐作品片断的谱例分析,归纳出处于后工业社会背景下的手风琴音乐作品中含有寻求新音色、新简约主义、新浪漫主义、多元拼贴、第三潮流等后现代元素。笔者希望以此更清楚地看到后现代手风琴作品背后音乐家的思想和后现代手风琴现象中所包含的趋势,为以后的手风琴音乐实践活动提供一个依据。
This article introduces the postmodernist perspective into the field of accordion music. Through the spectral analysis of some typical accordion pieces, this paper concludes that the accordion music works in the post-industrial society include the search for new timbre, neo-minimalism, neo-romanticism, Multiple collage, the third trend and other post-modern elements. The author hopes to see more clearly the thoughts of musicians behind the post-modern accordion works and the trends contained in the post-modern accordion phenomenon, so as to provide a basis for the practice of accordion music.