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本文以东、西方简约设计的美学思想为线索,对不同时期所形成的简约主义美学倾向作一个梗概的分析和阐释。中国道家思想提出朴素天下莫能与之争美,影响到工艺造物,上大多体现出一种朴素质真的设计思想与设计美学,至汉代与佛教思想的融合,直接形成了日本的禅学。其中的设计哲学与西方现代主义“少即是多”的简约主义设计理念,以及与可持续发展观念都不谋而合,为我们揭示了设计发展的一些内在规律和美学的价值。
Based on the aesthetics thought of simple design in East and West, this article analyzes and interprets the contracted aesthetic tendencies formed in different periods. Chinese Taoism put forward simple conditions that the United States can not compete with the United States, affecting the creation of craftsmanship. Most of them embody a simple and real design philosophy and design aesthetics to the integration of the Han Dynasty and Buddhism, directly forming the Japanese Zen. Among them, the design philosophy is similar to the western modernism “less is more ” and the conception of minimalist design, and coincides with the concept of sustainable development, revealing some inherent laws and aesthetic value of design and development.