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目前,有一批出生于60年代末70年代初,并且刚刚在艺坛展露头角的青年油画家,在他们的艺术创造中普遍体现出对自身周围环境的关注,尤其表现为对城市生活的极大热情。李振鹏就是其中脱颖而出的一员,1997年在“走向新世纪——中国青年油画展”上,他的作品《楼顶》以全景俯瞰式的构图,极富个性化的视觉语言再现了城市的特有风貌,深得评委们的一致好评而成为本次展览中的大奖得主之一。《楼顶》是李振鹏的油画创作《城市系列》中的一幅代表作品。通过《城市系列》我们可以更加全面认识李振鹏的艺术创作特点。在《城市系列》中。李振鹏选择了具像化的表现手法,但绝没有对所选取的场景作客观化的摹写,而更多的是一
At present, a group of young artists who were born in the late 1960s and early 1970s and have just begun to show off their talent in the art scene have generally shown their concern for their surroundings in their artistic creation, especially in the great city life enthusiasm. Li Zhenpeng is one of those who stand out from the crowd. In 1997, in “Towards a New Century - China Youth Oil Painting Exhibition,” his work “The Roof” featured a panoramic bird’s-eye view composition and a highly personalized visual language to reproduce the uniqueness of the city Style, won the judges of praise and become one of the winners of this exhibition. “Roof” is Li Zhenpeng’s oil painting “City Series” in a representative works. Through the “City Series” we can more fully understand the characteristics of Li Zhenpeng’s artistic creation. In the “City Series”. Li Zhenpeng chose figurative expression technique, but absolutely did not objectively delineate the selected scene, and more is a