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郭沫若的《鹧鸪天·吊杨二妹》虽然创作于白话文运动已开展得如火如荼的二十世纪四十年代,但其表达的情韵,达到的艺术境界,却并不亚于之前文学史上那些为人称道的同类之作,是经得起咀嚼和细品的非等闲之作。
Although Guo Moruo’s “Partridge Day · Yang Yang Er Mei” was written in the 1940s when the vernacular movement was in full swing, the artistic realm it expresses is nothing less than those praised by people in the history of literature Of the same kind, is able to withstand chewing and fine non-leisure work.