论文部分内容阅读
毋庸置疑,我们常说的香港电影是指有香港味儿的电影,而不是仅指有香港人参与的电影一当香港电影丧失这种味儿时,也就难以称之为什么香港电影了,即香港电影灭亡了。时近年底,回首今年上画(上映)内地市场的香港电影——此处的香港电影泛指无论导演、主角还是制片方,这些关键元素之任一烙上香港标签的电影——你会发现,这些元素这些人即便谈不上老态龙钟,至少也年近半百——不仅年近半百,还为老不尊地屡屡出现。
Undoubtedly, we often say that Hong Kong films refer to movies with Hong Kong tastes, not just movies with Hong Kong people’s participation. When a Hong Kong movie loses its taste, it can hardly be called a Hong Kong movie, that is, Hong Kong movie has died. At the end of last year, I will look back at Hong Kong films that have been painted (released) on the mainland market this year. Hong Kong films here refer to Hong Kong-branded films branded by any of these key elements, be they directors, protagonists or producers. Found that these elements even if these people do not speak out of the footsteps, at least nearly half a year - not only for nearly half a year, but also repeatedly appear for the old disrespect.