我们已远离本雅明所指的机械复制时代氛围,环绕影像的神秘灵光不再,影像所赖依居停与希冀的记忆之宫逐渐崩解,摄影的启示录抑或千禧年的宣示?伴随机械影像所期许与允诺的永恒时间性被驱离放逐,摄影影像挣脱开先前强加其上的透明肌肤囚锁,它变形展现成为新物种……,机械影像的母性表征被否定与取消的结果,它同时也扬弃了影像的神圣性。——陈传兴《银盐的焦虑》 We have moved away from the mechanical replication era that Benjamin referred to. The mysticism surrounding the image is no longer diminished. The Palace of Miracles in which the imagery rests and the hope is gradually disintegrated, the apocalypse of photography or the announcement of the millennium. The eternity of promises and promises is expelled, and the photographic images break away from the translucent skin locks previously impressed upon them, morphing them into new species ... ... the maternal representation of mechanical images is negated and canceled as it is Also abandoned the sacredness of the image. Chen Chuanxing “Silver Anxiety”