社会的、意识形态方面的关怀与美学的、诗学的探讨是文学批评的两大基本维度。整个 2 0世纪的文学批评史几乎就是在这两极之间反复震荡摇摆 ,并力图寻求一种协调与平衡。在中国 ,由于人文传统与历史境遇的交互作用 ,几乎每一个对于文学与文学批评持有较为深刻的理解与追求的人 Social and ideological concerns and aesthetics and poetics are two basic dimensions of literary criticism. Almost the entire history of literary criticism in the 20th century has repeatedly fluttered between these two poles and sought to find a way of coordination and balance. In China, due to the interaction between humanistic traditions and historical circumstances, almost every person who has a relatively profound understanding and pursuit of literary and literary criticism