由于缺少一手史料,传记者为早期现代剧作家克里斯托弗·马洛作传之前通常存在一个预设立场,马洛的戏剧作品则是这种预设立场的重要来源之一。另一方面,在撰写传记过程中,戏剧作品转而又成为传记者建构马洛传记形象的佐证。然而戏剧毕竟不是自传,与小说、诗歌等文学样式也不尽相同,把马洛的戏剧等同作家本人的传记进行解读无疑会阻碍我们全面理解马洛的戏剧艺术;同时,借助虚构的戏剧人物形象建构出来的马洛形象也难免具有内在的虚构色彩。 Due to a paucity of historical material, biographers often have a preconceived position to preach for early modern playwright Christopher Malo, and Malo’s dramatic work is one of the major sources of this presupposition. On the other hand, in the process of composing biographies, dramatic works turn to corroboration of the biographer’s image of Malo’s biography. However, after all, the drama is not autobiographical, and novels and poems and other literary styles are not the same, to interpret Marlowe’s drama is equivalent to the author’s own biography will undoubtedly hinder us fully understand Malo’s drama art; the same time, with the help of fictional drama characters Constructed from the Malo image will inevitably have an inherent fictional color.