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王充《论衡》曰:“歌曲弥妙,和者弥寡……妙异难为,观者不知善。”欣赏者在审美过程中美感的获得,是从对欣赏对象的肯定性判断中得来。曲妙而观者不能欣赏,说明欣赏主体与审美对象之间存在心理距离。近年来,人们喜欢优美的抒情曲,随生活节奏加快,继而喜欢清新明快的校园歌曲及节奏强烈的现代歌舞曲。而对许多举世公认的著名音乐作品及民族传统器乐作品则“和者弥寡”。这种审美上的心理距离何以形成?
Wang Chong “Lun Heng” reads: “The songs are wonderful, and widowed ... Wonderful is difficult, the viewer does not know good.” Appreciation of beauty in the aesthetic process of appreciation, is obtained from the affirmative judgments of appreciation of the object . Miao Miao and viewers can not appreciate, indicating that there is a psychological distance between subject and aesthetic object. In recent years, people like beautiful lyric songs, with the pace of life accelerated, and then like fresh and lively school songs and rhythmic modern song and dance. For many well-known world-renowned musical works and national traditional instrumental music is “and widowed.” This aesthetic psychological distance formed?