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反腐题材电视剧发展至今已有20余年历史,其生产创作也经历了诸多起伏转折。因反腐剧与社会政治语境的密切关联,使得其内含的主旋律文化的崇高审美在这一语境的变迁中呈现出不同的景观。以点面结合的方式,选取关键时间节点且具代表性的三部反腐剧《苍天在上》《绝对权力》《人民的名义》为审美客体,可以探析到反腐剧崇高感的审美渐变历程。反腐剧在不同的历史阶段所体现出来的崇高感呈现较为明显的变化:早期对“清官”形象的塑造体现的是人物形象的感性崇高,中期对“权力-腐败”关系的描绘体现的是主题意义的理性崇高,而当前对人民主体的描写体现的是叙述主体的人性崇高。从这一特殊的理论视角出发,结合社会历史语境与大众审美需求,可透视出反腐剧历史衍变的内在机理。
Anti-corruption theme TV drama has so far been more than 20 years of history, its production has also experienced a lot of ups and downs turning point. Due to the close connection between anti-corruption drama and social and political context, the sublime aesthetic of its contained main melody culture presents a different landscape in this changing context. Taking the combination of point and surface as the object of aesthetic choice, we can choose the representative three anti-corruption drama “Heaven on the sky” and “Absolute power” and “People’s name” as key objects of time. The anti-corruption plays a more obvious change in the lofty sense manifested in different historical stages: the early shaping of the image of “honest government” reflected the sentimental loftyness of the characters, the mid-term description of the relationship between “power and corruption” Reflects the rational sublime of the theme meaning, and the current description of the people’s subject reflects the sublime humanity of the narrative. From this particular theoretical perspective, combined with the social and historical context and the aesthetic needs of the public, we can see the internal mechanism of historical evolution of anti-corruption drama.