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继原始美术之后,延续最长,涉及面最广,为广大劳动人民所创造,所享用的就是民间美术。社会整体文化研究和艺术理论研究不断发展,使现代文化观念趋向多维发展,而民间美术作为传统民间文化的一个重要组成部分备受关注。我国的民间美术创造不可能摆脱中国传统文化中重视人文伦理大格局的制约。传统的中国民间审美意识与整个民间社会背景、文化观念长期保持了一种交融渗透、浑然一体的不可分割的关系,归根结底在于对“善”的追求。“善”的转
Following the original art, the longest extension, covering the most extensive, created for the majority of working people, enjoy is folk art. The study of social overall culture and the development of art theory have made the development of multi-dimensional modern cultural concepts. Folk art, as an important part of traditional folk culture, has drawn much attention. The creation of folk art in our country can not get rid of the restriction of attaching importance to the large-scale humanistic ethics in Chinese traditional culture. Traditional Chinese folk aesthetic awareness and the entire civil society background and cultural concept have long maintained an inextricably linked and integrated relationship, which ultimately belongs to the pursuit of “good ”. “Good ” turn