有着1000余年发展的水墨画作为一种传统的艺术形式,在中华文化历史长河里,为人类文明留下了不胜枚举的艺术瑰宝。在中国水墨画的历史中,群星璀璨的艺术家们或以一己之力、或与同代人一起用非凡的创造力和精湛的技法推动着水墨艺术的发展进程,形成了极为成熟而又各不相同的审美取向,阐释着中国文化多元而又统一的艺术立场。西风东渐以降,中国传统绘画在过去的100多年中与新的文化理念的强烈碰撞,形成了守成派、改良派和折衷派三种兼容并包的格局,其中恪守传统和颠覆传统两个完全不同观点 With more than 1000 years of development, ink painting as a traditional art form has left numerous art treasures for human civilization in the long history of Chinese culture. In the history of Chinese ink painting, bright star artists, either alone or together with their contemporaries, use extraordinary creativity and exquisite techniques to promote the development of ink art and form a very mature and diverse Aesthetic interpretation of the Chinese cultural diversity and unity of the art standpoint. With the westerly east gradually decreasing, the traditional collision of Chinese traditional painting with the new cultural concept over the past 100 years has led to the formation of three compatible and integrated models of conservatives, reformists and eclecticists, in which they abide by two completely different views of tradition and subversion: