回族舞蹈绝不能脱离民族的土壤、传统的土壤,民族传统与现代意识也不是对立的,应该是辩证的统一。回族舞蹈要跟上时代的发展,拓宽创作的层面,要求编导们面向现代,面向未来,从回族地区的政治、经济、文化的多维、立体、宏观的舞台上,对回族舞蹈创作进行更深层次的反思和自省,做出符合现代社会与观众审美要求的扬弃和选择。 Hui ethnic dance must not be divorced from the soil of the nation. The traditional soil, the national tradition and the modern consciousness are not opposites. They should be dialectical unity. Hui ethnic dance should keep pace with the development of the times and broaden the level of creation. It requires the directors to face the modern and future-oriented. From the multi-dimensional, three-dimensional and macro stages of politics, economy and culture in the Hui nationality, Reflection and introspection, to make the modern society and the audience to meet the aesthetic requirements of sublation and choice.