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和所有的艺术形式一样,戏剧从本质上讲,也是艺术家思想与感情的结晶,因此而成为意识的一种特殊的物化形态.如果承认这一点,我们就必须正视哲学意识对于戏剧创作的渗透,并且制约着戏剧形式的外延与内涵.任何一个时代的哲学意识都潜移默化地影响着这个时代的艺术家.哲学意识并不是哲学家创造出来的,它只是某一历史阶段的客观存在.而哲学家的功绩只是以其敏锐和智慧更早地将它们揭示出来,并加以系统化和条理化.所谓哲学意识,就是人对于世界与自身的关系的根本观点和认识.古代与近代的戏剧形象,某本上是在唯物主义的反映论的熏陶下出现的.唯物主义反映论认为人的意识来源
As with all art forms, drama is essentially a crystallization of the artist’s thoughts and feelings, and thus becomes a special form of materialization of consciousness.If we admit this, we must face up to the infiltration of the philosophical consciousness into drama creation, And restricts the extension and connotation of the form of drama.The philosophical consciousness of any age subtly affects the artists of this era.Philosophical awareness is not created by philosophers but is only an objective existence of a historical stage.The philosopher’s The merit is only revealed by their earlier acumen and wisdom and is systematized and systematized.The so-called philosophical consciousness is the fundamental viewpoint and understanding of man’s relation to the world and himself.Ancient and modern drama images, It is under the influence of the reflection of materialism that the source of human consciousness