戴卫·奇普菲尔德建筑设计的不同寻常之处,往往在于它的围墙;它生成体积和质量的平面二维的可能性;还有更重要的是,在于它将两者互相转换的能力。这种变换在他的两个迷宫似的作品中显而易见,而它们正可以作为他短暂但却异常多产的日本职业生涯的典型作品,奇普菲尔德在这段时期受到了安藤忠雄作品的一些影响,形成了他自己特有的建筑语言。我想到了1991年他在京都为丰田汽车公司设计的5层多功能建筑。这个作品的分层特征似乎来源于日本城市具有代表性的纵深地块。在面向街道的狭窄的入口立面后面,随着进深的加大,我们可以看到对称与不对称的体块序列的并置。在这个丰田项目中,一系列平行相连的内院,连续地将室外空间穿插在建筑的室内空间之中。这些内院随结构 What's extraordinary about David Design's architectural design is often its walls; the possibility of a two-dimensional plane of volume and mass; and, more importantly, its ability to convert the two into each other. This shift is evident in his two maze-like works, which are being used as typical examples of his short but unusually prolonged Japanese occupation, and Chipfeld was influenced by Ando Tadao's works during this period , Formed his own unique architectural language. I think of the five-story multi-purpose building he designed for Toyota Motor Corporation in Kyoto in 1991. The stratification of this work seems to originate from the representative deep plots of Japanese cities. Behind the narrow entrance façade facing the street, as we zoom further in, we can see the juxtaposition of symmetric and asymmetric body block sequences. In this Toyota project, a series of inner courtyards connected in parallel continuously intersperse the outdoor space in the interior of the building. These inner courtyard with the structure