多年以来,民族志纪录片的创作总体上呈现一种“他者介入”的状态。在全新的形势下,民族志纪录片应当逐步改变“他者介入”占据主导的局面,借助影像的方式进行“自我反射”式的深层文化思考。而实现这个目标的首要任务,是通过科学的路径培养具有“自我反射”意识的创作者。 Over the years, the creation of ethnographic documentary shows a state of “other’s involvement” as a whole. In the new situation, the ethnographic documentary should gradually change the dominant position of the “others involved”, and use the image method to conduct “self-reflection” deep cultural thinking. The primary task of achieving this goal is to cultivate creators with “self-reflection” awareness through the scientific path.