《悲悼》三部曲是一部关于女性异化的戏剧。剧情随着剧中女性人物异化的不断加深而发展,并在女性异化达到高潮时剧本以悲剧结束。作者奥尼尔对女性异化的描写发人深省。本文旨在用马克思主义女性主义理论阐释剧中女性莱维尼亚和克莉丝汀异化的表现及原因,并探讨奥尼尔对女性异化的反思。 “Mourning” trilogy is a drama about alienation of women. The story develops with the deepening alienation of female characters in the play, and the play ends with the tragedy when female alienation reaches orgasm. O’Neill’s description of the alienation of women is thought-provoking. The purpose of this paper is to explain the manifestations and causes of the dissimilation of the lesbian women Livonia and Christine by using the Marxist theory of feminism and to discuss O’Neill’s reflections on the alienation of women.