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晋剧是山西四大梆子之一,又称中路梆子,它自蒲州梆子演变成型后,迅速发展成重要的梆子戏,风行于陕西、甘肃、河南、河北一带,对许多剧种产生过影响。山西素有“戏曲摇篮”之称,晋剧能在省内五十多个剧种中脱颖而出,成为山西的代表性剧种,除地理、历史等因素以外,一个重要原因便是来自晋商的经济和精神支持。商业支撑着戏曲,戏曲服务于商业,晋剧的定型、发展、传播乃至衰落都与晋商有着千丝万缕的联系。本文以清代时期晋剧发展为主线,探索其自定型至衰落的发展历程中,晋商所扮演的角色。
Jinju is one of Shanxi’s four big razor clams, also known as Zhongluo razor clam, which evolved into an important razor clam after its transformation from Puzhou razor clam. It is popular in Shaanxi, Gansu, Henan and Hebei provinces and has had an impact on many operas. Shanxi is well-known as “the cradle of opera.” Shanxi opera can stand out in over fifty operas in the province and become a representative drama in Shanxi. Apart from geography and history, Shanxi opera is one of the most important reasons for the economy from the Shanxi merchants And spiritual support. Commercial support for the opera, opera services in commercial, Jinju stereotypes, development, spread and even the decline are inextricably linked with the Shanxi business. This article takes the development of Jin opera in the Qing Dynasty as the main line and explores the role of Shanxi merchants in the process of its development from custom to decline.