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杜桑——现代艺术的教父,近一百年来的种种艺术花样,如达达、活动雕塑、废品雕塑、波普艺术等都能在他身上找到渊源,包括二十年来在中国大陆逐渐流行起来的装置艺术和行为艺术。现代派的性格和基调,与这位惯于冷酷无情愚弄公众的教父有关。把一只小便池送去晨览,给蒙娜丽莎添上胡子,一个走到了极端．全盘否定美,甚至要把艺术也全面打倒的艺术家,没有被送进疯人院,反而成了艺术大师,这个社会到底是怎么了？极度务实的西方社会无可奈何地把大师的桂冠,加于对之开着恶毒玩笑的杜桑,是因为他们最终认定,这顶桂冠名至实归。有如郑屠鼻子上挨了鲁提辖一拳还喊:打得好!杜桑极端,而当一个社会之度量大至把极端的、甚至带有恶意的嘲讽包容,并把它当成了一回事的时候,这个社会的成熟程度令人惊叹。嘲讽的存在表明,这种嘲讽具备合理。
Du Sang - the godfather of modern art, nearly 100 years of artistic patterns, such as Dada, activity sculpture, scrap sculpture, pop art, etc. can find paternity on him, including two decades gradually in mainland China Installation art and performance art. The character and tone of the modernist are related to the godfather who used to ruthlessly fool the public. Send a urinal to the morning, add a mustache to Mona Lisa, and one goes to the extreme. The artist who totally negated the United States and even took art down too far has not been sent to asylum but has become an art master. What happened to this society? Extremely pragmatic Western society reluctantly put the masters of the crown, add to the vicious joke of Dursang, because they eventually concluded that this top title deservedly. Just like Zheng Tu’s nose, he is punched and punched by Lutheran: playing well! Duchamp is extreme, and when society is measured to the extreme, even with malicious sarcasm, and treated as a back When things are happening, the maturity of this society is amazing. The existence of ridicule shows that this ridicule is reasonable.