在20世纪初的文化再造中,体现语言之关联的翻译活动具有破旧立新的关键性作用。在这一过程中,新文学作家和译者并不单纯以“拿来主义”的热情被动接受西方文学经典,而是本着“为我所用”的功利心态对西方名著进行挑选和功能转换,甚至是有意地误读或歪曲,其目的是建构既与世界文学相融合又与其保持一定距离的具有本土现代色彩的审美叙述。 In the cultural reconstruction at the beginning of the 20th century, translation activities that embody the connection between languages ​​have a crucial role to play in breaking new ground. In this process, the writers and translators of the new literature do not passively accept the classic Western literature with the passion of “fetchingism.” Instead, they select the Western famous works based on the utilitarian mentality of “for me ” And functional conversions, and even intentionally misinterpreted or distorted, with the aim of constructing a modern, modern aesthetic narrative that is both integrated with world literature and at a distance from it.