十几年前，写过一篇《漠上“土艺’》的短文，原因学始于其时看过张文阁的“西域风”的新疆泥人。对于那独具风采的“大漠土艺”着实使我很激动。十几年一瞬而去，在回顾那些年来曾风云过一阵的人物和作品以及以往“火”了几天而今天大都已寂然无声的事实，反而回视起“漠上土 A dozen years ago, he wrote an essay entitled “Deserted Land Art”, the reason that the study began with Zhang Wenge’s “Western Wind” Xinjiang clay figurines. I am very excited. Ten years away, in retrospect of the characters and works that have been passing through the years and the fact that “fire” for a few days have mostly been silent for many days today,