一壁画的载体 唐代地上壁画的载体包括世俗与佛道二教处所,以及皇宫与民宅居室。(本文不涉及古窟寺壁画) 宗教处所内部绘制壁画在中国由来以久。《释氏要鉴》引《毗奈耶》云:“给孤长者造寺后作念:‘若不彩画,便不端严。’即白佛。佛言:‘随意。’未知画何物。佛言:‘于门两颊,应画执杖药叉;次傍一面,画大神变;次一面,画五趣生死轮;檐下画本生事;佛殿两颊,画持鬓药叉;讲堂画说者;食堂画持饼药叉;库门画持宝药叉;水堂画龙王持瓶;浴室、火堂画天使者;经法堂画菩萨并地狱相;瞻病堂画佛躬看病比丘相;大小行处 A vector mural Tang murals on the ground murals, including secular and Buddhist sites, as well as the Royal Palace and residential houses. (This article does not cover the ancient cave murals) Religious premises within the painting murals in China for a long time. “Interpretation of the Shibuya” cited “Penecutor” cloud: "to the lonely old man made after the temple to read: ’If you do not color painting, it is not dignified.’ That white Buddha. Buddha: ’random.’ What Buddha said: ’At the door cheeks, should draw a stick of medicine fork; next to one side, draw the Great God change; next side, draw five life and death wheel; under the eaves draw picture things; The canteen draws a cake with a fork; The water chestnut draws a dragon with a fork; The water chestnut draws the dragon to hold the bottle; The bathroom, the fire hall draws angels; The law hall paints the Buddha and the hell phase; Bhikkhu phase; at the line size