王夫之把现量这个相宗术语转化为一个美学概念，并以之构成了他丰富的美学思想的重要基础。在这个基础上，他提出了一系列有解放意义和革命性的阐释原则，对中国古典美学具有较大突破，并与西方现代阐释学美学的部分观点相印合。 Wang Fuzhi converted the current status of the relative terms into an aesthetic concept and formed an important foundation for his rich aesthetic ideas. On this basis, he put forward a series of emancipatory and revolutionary principles of interpretation, made great breakthroughs in Chinese classical aesthetics, and combined with some of the western modern hermeneutic aesthetics.