中国第六代电影人长期处于中国电影体制之外,这段经历和体验也为他们颠覆传统、破壁而出积聚了力量。中国第六代导演纷纷在体制外找到了适合的题材表达,这些年轻的电影人对被主流社会也被主流文艺作品所忽视的边缘人物情有独钟,镜头常常关注都市的角落里那些迷茫、困惑的个体以及他们原生态的生存环境,对那些边缘人投以悲悯的目光。2000年后,这些“地下电影”导演痛下决心回归本土市场,并且在新世纪里迎来了更广阔的前景。 China’s sixth-generation filmmakers have long been outside the Chinese film system. This experience and experience have also accumulated their power to subvert the tradition and break the wall. The sixth generation of directors in China have found suitable theme expressions outside the system. These young filmmakers are fond of the marginalized characters who are neglected by the mainstream society by the mainstream literary and artistic works. The lens often focuses on the confused, Puzzled individuals and their original living environment, for those marginal people cast a sympathetic gaze. After 2000, these “Underground Films” directors made a firm decision to return to the local market and ushered in a broader perspective in the new century.