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施万春是我国著名的作曲家和音乐教育家。他的创作体裁涉猎非常广泛,几乎囊括了所有音乐体裁形式,尤其他在影视音乐创作方面取得了瞩目的成就,为中国影视音乐创作的发展做出了不可磨灭的贡献。本文正是在这样一个基础上,选取了他的影视音乐中的情景—场景式音乐创作进行深入的研究,分别从音响观念、技术构成、内涵释义等方面进行了论述,旨在探索他在这一领域中的审美追求与创作规律,进而对中国当代影视音乐创作产生一定的指导与影响。
Shi Wanchun is a famous composer and music educator in China. His creative genres are very extensive and cover almost all musical genres. In particular, he has made remarkable achievements in the field of film and television music and made an indelible contribution to the development of Chinese film and television music. On the basis of such a foundation, this thesis selects the scene of his film and television music - scene music creation for further research, discusses the concept of sound, the composition of technology and the definition of connotation in order to explore his A field of aesthetic pursuit and creation of the law, and thus on China’s contemporary film and television music produced some guidance and influence.