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地方戏的丑角并不丑,而是一种美的独特形式,是一种美的创造与变异,美的升华与超越。因此,地方戏的丑角本身,就蕴含着丰富的美学精神与美学特征。研究地方戏的丑角美学,对发展地方戏艺术与整个戏曲丑角艺术,都是大有裨益的。笔者结合自己地方戏角色表演的艺术实践,就此谈几点粗浅看法,以求得到专家与广大读者指正。一、地方戏丑角美的实质生活是美的根基与源泉,人民是美的创造者与欣赏者,是美的母亲。地方戏丑角,是东北人精神的凝聚和品格的外
The clown of the local opera is not ugly, but a unique form of beauty, a creation and variation of beauty, sublimation and transcendence of beauty. Therefore, the local opera clown itself contains a wealth of aesthetic spirit and aesthetic characteristics. Studying the clown aesthetic of local drama is of great benefit to the development of local theater arts and the entire theater clown art. The author combined his own local opera performance of the art practice, to talk about a few superficial views, in order to get the experts and readers correct me. First, the local play Harlequin beauty of the real life is the foundation and source of the United States, the people are the creators and admirers of the United States, the United States is the mother. Local play clown, is the northeast spirit of the cohesion and character of the outside