今天,“绘画走向综合”已不是一种对未来的推测,在相当层面上已成为事实,我们越来越难以用某一传统习惯的名称去界定画面效果和媒材技法。从艺术教育的角度来看,综合绘画及其材料媒介与表现的教学、创作正越来越受到重视。在这种形势下,针对水性综合绘画,研究其创作表现规律,探索当代水彩画教学创新是一个亟待完善的课题。尽管水彩画发展已有几百年历史,东西方也有以水性为材料的绘画研究,但系统的水性综合绘画教学体系还没有形成,故这一课题的提出具有开创性和世界性,其研 Today, “Drawing Towards Synthesis” is no longer a guessing of the future, but rather has become a fact on a comparative level, and it becomes increasingly difficult for us to define the effects of pictures and media techniques in the name of a traditional custom. From the perspective of art education, teaching and writing of integrated painting and media and performance of materials are gaining more and more attention. Under such circumstances, it is an urgent task to study the law of creative performance and explore the innovation of contemporary watercolor teaching for the comprehensive water-based painting. Although watercolors have been developed for hundreds of years and water-based paintings have also been developed in East and West, systematic water-based comprehensive painting teaching system has not yet been formed. Therefore, this issue is groundbreaking and global in nature.