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一部完整的中国京剧史,不仅应该包含演剧史、音乐史、作家作品史和剧场史,而且应该且必须包含批评史。对于当代京剧批评的研究的疏忽,不仅会影响中国戏剧理论史体系的完整性和统一性,而且可能会使京剧理论体系得不到应有的发展。因此,有必要对当代的京剧理论与批评做一番系统归纳和总结,这将具有特殊的文化意义和现实意义;更有必要的是,在进行相关研究之前,探讨该研究涉及的关键名词的明确涵义,并厘清该研究的范畴、重点和方向。
A complete history of Chinese opera should include not only the history of drama, music history, the history of writers’ works, and the theater, but it also should and must contain the history of criticism. The negligence of the research on contemporary Beijing opera criticism will not only affect the integrity and unity of the theoretical system of the history of Chinese drama, but may also deny the development of the theoretical system of Peking opera. Therefore, it is necessary to systematically summarize and summarize contemporary Beijing Opera theory and criticism, which will have special cultural significance and practical significance. It is even more necessary to discuss the key terms involved in this study before conducting relevant research Clearly defined, and clarified the scope, focus and direction of the study.