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印象派画家改变了我们对色彩的认识,在自然光色与主观感受的共同作用下,绘画因色彩而变得明亮而绚丽,色彩也由此提升到比造型更为重要的地位。印象派的色彩在本质上是主体对于科学的光色理论的把握,但在现代艺术的进程中,色彩的科学性被过分地强调,越来越走向理性和僵化,失去与自然之间的本质性联系。在某种程度上说,不论科学如何发展,色彩永远是被感觉的,跨越理性,还原本真,是我们对印象派色彩的重新认识。在当下的艺术创作中,唯有将艺术家不可遏制的生命冲动与自然融于一体,才能真正跳脱理性的束缚,走向心象合一的色彩与艺术之路。
Impressionist painters have changed our understanding of color. Under the combined effect of natural light color and subjective feeling, the painting becomes bright and gorgeous due to its color, and the color is promoted to be more important than the shape. The color of impressionism is essentially the master’s grasp of the theory of light color of science. However, in the process of modern art, the scientific nature of color is overemphasized, more and more towards rationality and rigidification, and the essence between nature and loss contact. To a certain extent, no matter how science develops, color is always felt, and it is our new understanding of the color of impressionism that it goes beyond reason and truth. In the current artistic creation, only by integrating the impulsive life of the artist with nature can we truly get out of the shackles of rationality and move toward the color and art of unity of heart and mind.