影片《画壁》处处布满着隐喻,其中既包含易于被发现的显在隐喻——虚实世界与情感关系,又包含了难于被发现的隐在隐喻——话语权力的归属与争夺。传统话语理论中的权力话语权、性别话语权,乃至当代婚恋关系中的情感话语权在影片中无一不得到淋漓尽致的体现,值得人们深刻思考。 The film “Painting the Wall” is full of metaphors everywhere, which includes not only easy to be found in the metaphor - the real world and emotional relations, but also contains the hidden metaphor difficult to be found - the ownership and competition for discourse power. The power of discourse in traditional discourse, the right to speak of gender, and even the emotional right to speak in the contemporary marriage-and-wife relationship are vividly embodied in the film, which deserves deep consideration.