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清代的李渔在他的《李笠翁曲话》中曾经这样写过:“唱曲者宜有曲情,曲情者,曲中之情节也。解明情节,知其意义所在,则唱出口时俨然此种神情,悲者黯然魂销而不致反有喜色,欢者怡然自得而不见稍有瘁容。”循着这一原则,我反复听了粤剧表演艺术家罗家宝的很多作品,觉得有一种正切李笠翁论述之精妙,遂记录于此,作为我对罗家宝唱腔的认识与欣赏。一、《情赠茜香萝》这是一首题材独特的带着暧昧意义的粤曲对唱,对唱者为名伶李丹红。演唱年份为1980年。
In the Qing Dynasty, Li Yu wrote in his Lyric Witch Story: “The songwriter should have a melody, a songwriter, a plot of the song.” Explain the plot and know its meaning, then sing it Just like this kind of look, the sad person is sadly dejected and does not have the opposite color, but the joyful person can not but see a little comfortably. “Following this principle, I listened to many works of Cantonese opera artist Luo Jiabao repeatedly, I think there is a Kinds of tangential Li Yung Weng exquisite exposition, then recorded here, as I know Luo Jiabao singing and appreciation. First, the ”love gift Qian incense" This is a unique subject with the ambiguous meaning of the Cantonese opera duet, singer Li Minghong as the famous actress. The year of the concert is 1980.