曾梵志将创作过程称为“对灵感的潜意识回应”。在他画室拍摄的一辑照片记录了这批展品的创作过程,此外也展示了画家来自多方面的灵感泉源:它们或来自艺术家的思考,或参考了别的艺术作品,或源于不同的创作手法。这些关于画作如何成形的吉光片羽,为如何观赏和诠释已完成的作品,提供了崭新的角度。就巨幅《无题》(2012)而言,曾梵志开笔即用一把类似髹 Zeng Fanzhi called the creative process “subliminal responses to inspiration.” A series of photographs taken in his studio document the creation of these exhibits. In addition, they show that the painters come from various sources of inspiration: they come from artists’ thinking, or reference to other works of art, or from different creations Tactics These pieces of Ji-Ki film about how the paintings are shaped provide a completely new perspective on how to view and interpret the finished works. In the case of the huge “Untitled” (2012), Zeng Fanzhi started a pen with a similar one