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元代泉州多宗教文化背景下产生了一种融合多宗派、多地域元素的基督教碑刻设计,这种独特的“混搭”设计风格也成为基督教为适应当地文化、寻求认同感的有力印证。本文在目前已发现的泉州古基督教碑刻中挑选整体造型及纹饰能较好辨别的22方元代碑刻为样本,通过形态分析方法,对其材质、形制、构图,以及标示性元素和寓意性元素做系统的分析,对比泉州元代其他宗教碑刻以及同时期我国其他地域古基督教碑刻的形态特征,阐释泉州古基督教碑刻形式所折射出的历史和人文意蕴。
Under the background of multi-religious culture in Quanzhou during the Yuan Dynasty, a unique Christian inscription design integrating multi-sectarian and multi-geographical elements was created. This unique “mix-and-match” design style has also become a strong proof of Christian identity in order to adapt to local culture and seek identity. This paper selects the ancient stone inscriptions of Quanzhou, which have been found so far, to select the 22 Yuan and Yuan Dynasties inscriptions whose overall shape and decoration can be well distinguished as samples. Through the morphological analysis methods, the textures, shapes, composition and elements of marks and symbols The author systematically analyzes the morphological characteristics of other religious inscriptions in Yuan Dynasty and the ancient Christian inscriptions in other areas of China in the same period and expounds the historical and humanistic implication of the ancient Christian inscriptions in Quanzhou.