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关于中国当代文学经典化的讨论一直在持续中,但关于经典的定义与经典化的要素始终没有确切的说法,在这种情况下,采用描述而非定性的方式谈论经典似乎更为合适。本文以曹乃谦的《到黑夜想你没办法》的被忽视与后来被重新发现为例,通过对作品文本的文学性与审美性,对作品传播产生重要影响的“副文本”、获奖情况等因素,大众批评与批评家批评对作品影响等,探讨影响中国当代文学经典化的因素,并试图在消费文化的社会背景下,说明文学经典化的意义与面临的困境。
Discussions about the classicization of contemporary Chinese literature have been ongoing, but there is no exact definition of the classic definition and the elements of the classic, in which case it seems more appropriate to talk about classics in a descriptive rather than a qualitative way. This article takes Cao Naiqian’s neglected and later rediscovered as “no way to the night” as an example. Through the literary and aesthetic characteristics of the text of the work, the “subtext”, which has an important influence on the dissemination of the work, And other factors, the criticism of the general public and critics’ criticism on the impact of the works on the factors influencing the canonization of contemporary Chinese literature. The author attempts to explain the significance and difficulties of the classicization of literature under the social background of consumer culture.