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小牛笔下的湘文化写作,源于对底层生命体验的思考。对小牛小说进行分期观察,其人物叙事可以分为三类:俄式的“小人物”叙事;湘文化的民俗性叙事;社会转型期的底层民众叙事。这三类叙事统一在作者对底层生存的道德关怀之中。
The writing of Hunan culture under the guidance of Calf comes from thinking about the experience of the underlying life. Staged observation of the novels of calf, the character narrative can be divided into three categories: the Russian “little things” narrative; Hunan folklore narratives; the social transformation of the bottom of the public narrative. The three types of narrative unity in the author’s moral concern for the subsistence.