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绘画批评是在魏晋南北朝时期得到兴盛的,其原因与所处时代的背景是紧密相关的,当时的社会思潮道学、玄学兴盛,人物品藻风气盛行,这些都是批评发展的理论前提,本文拟对绘画批评在六朝时发展的背景做出相关论述,并从个人角度对绘画批评的产生做出一定的分析,以求更加认识绘画批评这一艺术概念。
The criticism of painting was prosperous in the period of Wei, Jin, Northern and Southern Dynasties. The reason was closely related to the background of the times. The social ideological trend of Taoism, metaphysics flourished and the prevalence of human resources prevailed. All these are the theoretical preconditions for criticizing the development. It is proposed to make a related discussion on the background of the criticism of painting in the Six Dynasties and to make a certain analysis of the emergence of painting criticism in order to get a better understanding of the artistic concept of painting criticism.