在图像信息如此庞杂的读图时代,究竟什么样的照片会吸引我们,我们看到一幅照片时,如何确定它的意义,如何判定它显性和隐性的价值,当我们面对这个问题时,总会感到不知所措,原因不是缺乏头绪,而是头绪过多,因为但凡合乎逻辑的观点都可以作为这个评价系统的一部分。观点很多,因而争论从来没有停止过,也正因为如此,做归纳和总结工作成了一个极其费力不讨好的事情,尤其是对于摄影评论这样棘手的理论系统。实际上,形形色色的摄影比赛折射出 In the age of reading pictures with so much information, what kind of pictures will attract us? When we see a picture, how to determine its meaning and how to judge its explicit and implicit values? When we face this problem I am always overwhelmed with the lack of a clue as to the clues as every logical point of view can be part of this evaluation system. There is so much argument that the controversy has never stopped, and it is for this reason that inducing and summarizing work has become an extremely thankless matter, especially for the thorny theoretical system of photographic criticism. In fact, all kinds of photography competition reflects