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京剧唢呐在内容和形式上的表现是比较丰富的,在与剧情的场景及人物表现方面是非常恰当的。京剧唢呐的运用是源于古老的昆曲。运用唢呐浑厚、苍劲有力的音色,恰如其分的表现了各种剧情场景。在发展过程中,京剧唢呐也有很多的创新运用。唢呐二黄的出现,更使得京剧音乐的表现形式有了进一步的发展和突破。特别是在现代京剧的创作中,作曲家非常巧妙的借鉴和运用了唢呐二黄的伴奏形式,为女声旦角唱腔伴奏,起到了异乎寻常的艺术效果。这是在创作中继承传统文化艺术表现形式的典型事例。
Peking Opera suona in the content and form of the performance is more abundant, with scenes and characters in the performance of the plot is very appropriate. Beijing Opera suona use is derived from the ancient Kunqu Opera. Use suona vigorous, vigorous and powerful tone, the appropriate performance of a variety of scenarios scenes. In the development process, Beijing Opera suona also has a lot of innovative use. The emergence of the second son of suona, but also makes the performance of Beijing Opera has further forms of development and breakthroughs. Especially in the creation of modern Beijing opera, the composer is very clever to learn and use the accompaniment form of the suona two yellow, accompaniment to the female vocals, has played an extraordinary artistic effect. This is a typical example of inheriting traditional cultural and artistic expressions in the process of creation.