大江健三郎的中短篇小说《空中怪物阿贵》在《新潮》1964年1月号发表之后,很快获得了平野谦(1963)的好评:“可以认为这是作者本身的佳作之一,也是本月的佳作之一。”不久之后《个人的体验》面世,《空中怪物阿贵》因其主线情节设置与《个人的体验》有明显的呼应而再受关注。一直以来,单独研究《空中怪物阿贵》的论文寥寥无几,它更多的是作为《个人的体验》的辅助线,与《个人的体验》成对地出现,并经常被看作是赋予《个人的体验》结尾以合理性的某种意义上的旁证。宫井一郎(1970)指出这两部小说是“照片与底片”的关系。平野谦(1966)认为,《个人的体验》文学 Kenzaburo Oe’s short and mid-story novel “Atsugi in the Air” was soon received by Hirano (1963) after the release of “Trendy” in January 1964: “This is one of the best works of the author himself One of the best of the month. ”“ Soon after, ”Personal Experience“ was released, and ”Airborne Monster“ was once again noticed for its mainline plot that clearly echoed the ”personal experience.“ There have been few papers on ”Albatrosses of the Air monsters“ alone, and they are more of an auxiliary line to ”personal experiences“ that come in pairs with ”personal experiences“ and are often seen as giving ” Personal experience “to some extent justified by the circumstantial evidence. Ichiro Ichiro (1970) pointed out that these two novels are the relationship between ”photos and negatives.“ Hirano (1966) believes that ”personal experience" literature