透过这本书,我们再次欣赏到作者美丽的“低回”之姿:没有凌厉而强势的论述锋芒,也无着意颠覆陈规的阅读方法,更多是对“女性写作”之于“性别建构”意义的再三追问,对中国文本与历史语境下西方女性主义理论发展轨迹的重新回顾与再整理,以及对“书的局限”、自我“思想困境”的批判性反思当“女性主义”越来越成为一枚标签被随意张贴的时候,在文学文本中的“性别意识”、“女性形象”遭遇 Through this book, we once again appreciate the beautiful “low back” posture of the author: there is no sharp and powerful exposition, no intention to subvert the stereotyped reading method, and more is the “female writing” In the “Gender Construction” significance of the three repeated questions on the Chinese text and historical context of the Western Feminist Theory of development trajectory review and re-readjustment, as well as the “book limitations”, self “ideological predicament Critical reflection When ”feminism “ becomes more and more a label being freely posted, ”gender consciousness “, ”female image " encountered in literary text