很遗憾,我未到过内蒙古大草原。来自内蒙古的邢秀,分明使人感受到了来自草原的风情。他的人,还有他的文章,特别是他的书法,都像来自草原的风:呼啦啦地空阔而壮美。平与侧邢秀的书法,以平得正,以侧用奇,因平与侧的交融互用打磨构建的笔墨品格语素,展示着顽强而蓬勃的力与势。就技术层面来讲,邢秀在学书之初曾临习张迁、曹全诸隶书碑版,以隶书的横平之势奠基其书法之『平』后又临习好大王碑,以好大王亦楷亦隶、亦篆亦隶 Unfortunately, I have not been to Inner Mongolia prairie. Xing Xiu from Inner Mongolia, clearly make people feel the style from the prairie. His people, and his articles, especially his calligraphy, are like the winds coming from grasslands: Hula lakku is wide and magnificent. Ping and the side of Xing Xiu calligraphy, in order to be positive to the side with odd, due to the blending of flat and side by side interactive construction of the pen and ink character morpheme, showing tenacious and vigorous force and potential. On the technical level, Xing Xiu at the beginning of the study had to practice Zhang Qian, Cao Quan Zhu Lishi Tablet Edition, to lay the foundation of the calligraphy of the “flat” of the calligraphy “flat” and then read the great monument, to good king Yi Kai also Li, also seal also Li