论文部分内容阅读
本文以历史上公认的章草范本皇象本《急就章》为审美参照系建立类比系统,探究中国古代章草临摹观的变迁史,从审美角度区分出带有隶意、篆意、楷意、草意的章草范本,并在其中总结出观念的合理性和不合理性。通过现当代章草大家王蘧常等人的临摹、创作实例来验证现当代章草临摹观的积极意义,最后透过当代权威展览中典型作品来重建当代章草创作之理论框架,以期对当代章草临摹、创作有所启迪。
In this paper, we establish the analogy system of the imperial chapter of the imperial chapter which is recognized as a chapter in the history, and explore the changing history of the ancient capra in China. From the aesthetic point of view, Chapter of the model, and summed up the concept of rationality and irrationality. Through the copying and creation examples of the contemporary Zhangcao Wang Wangchang and others, the author proves the positive meaning of the modern and contemporary Zhangcao’s copying concept, and finally reconstructs the theoretical framework of the contemporary Zhangcao creation through the typical works in the contemporary authoritative exhibition, Inspired.